Kathakali is a highly  stylized classical Indian dance-drama      noted for its attractive  make-up of characters, their elaborate      costumes, detailed gestures  and well-defined body movements      presented in tune with the anchor  playback music and      complementary percussion. It originated in the  country's present      day state of Kerala during the 17th century AD  and has been      updated over the years with improved looks, refined  gestures and      added themes besides more ornate singing and precise  drumming.
Kathakali originated from a  precursor dance-drama form called      Ramanattam and owes it share of  techniques also to Krishnanattam.      The word "attam" means enactment.  In short, these two      forerunning forms to Kathakali dealt with  presentation of the      stories of Hindu gods Rama andKrishna.
Kathakali is considered to be a combination of five elements of      fine art:
- Expressions (Natyam, the component with emphasis on facial expressions)
- Dance (Nritham, the component of dance with emphasis on rhythm and      movement of hands, legs and body)
- Enactment (Nrithyam, the element of drama with emphasis on "mudras",      which are hand gestures)
- Song/vocal accompaniment (Geetha)
- Instrument accompaniment (Vadyam)        
Traditionally  there are 101 classical Kathakali stories, though      the commonly  staged among them these days total less than      one-third that number.  Almost all of them were initially      composed to last a whole night.  Nowadays, there is increasing      popularity for concise, or oftener  select, versions of stories      so as the performance lasts not more  than three to four hours      from evening. Thus, many stories find  stage presentation in      parts rather than totality. And the selection  is based on      criteria like choreographical beauty, thematic       relevance/popularity or their melodramatic elements. Sure,       Kathakali is a classical art form, but it can be appreciated      also  by novices—all contributed by the elegant looks of its      character,  their abstract movement and its synchronisation with      the musical  notes and rhythmic beats. And, in any case, the folk      elements too  continue to exist. For better appreciation,      perhaps, it is still  good to have an idea of the story being      enacted.
Kathakali
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